In the 1940s the jitterbug, a type of swing dancing that was pioneered by African American communities in New York during the early twentieth century, took the United Kingdom by storm. The energetic dance, which featured elements of the jive, the charleston, and other swing dances, divided Britain, with it being embraced by those who flocked to dancehalls up and down the country, whilst others viewed it as a morally dangerous American import. In this special blog, using newspapers from …
dance history
Born in 1909 in Chicago, ‘dancing anthropologist’ Katherine Dunham was known as the ‘matriarch and queen mother of Black dance.’ Her father was a descendant of enslaved West Africans and Madagascans, whilst her mother hailed from Canada. A multitalented artist, academic and activist, for many years Katherine Dunham ran the Katherine Dunham Dance Company, the only self-supporting African-American dance troupe in the mid-twentieth century. It was during this time that Dunham toured the United Kingdom, and in this special blog, …
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Prima ballerina, choreographer, teacher and business woman, Irish born Dame Ninette de Valois was instrumental in raising the global profile of British ballet, founding the company that would become the Royal Ballet, and nurturing the talent of some of the country’s most famous dancers, including Alicia Markova and Margot Fonteyn. In this special blog, we take a look at de Valois’ early years, her rise to prima ballerina, and her shift into production and choreography, using pages from the British …
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‘They name their dresses Tango, their hats Tango, their dogs Tango,’ so reports the Pall Mall Gazette in 1913 at the height of tango fever in London and in Paris. In this special blog, using articles and illustrations from The Archive, we explore the history of the tango, and how its popularity surged after its spread from along the Rio de la Plata in South America to the music halls, the stately homes and the dance floors of Europe. Origins …